Pink Floyd "Echoes In The Garden"

Otra versión mas del Echoes In The Garden, esta suena genial.

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Pink Floyd
'Echoes In The Garden (3CD Set)'
Boston Garden, Boston, MA, USA
Wednesday June 18th, 1975

Very Good Audience Recording
Encoded: 192 Kbps MP3

Track List: 
Disc 1:
01. Raving And Drooling
02. You've Gotta Be Crazy
03. Shine On You Crazy Diamond I-V
04. Have A Cigar
05. Shine On You Crazy Diamond VI-IX
Disc 2:
(Complete Performance of 'Dark Side Of The Moon') 
01. Speak To Me
02. Breathe
On The Run
Time / Breathe (Reprise)
04. The Great Gig In The Sky
05. Money
06. Us And Them
07. Any Colour You Like
08. Brain Damage
Eclipse
Disc 3:
01. Echoes 

Pink Floyd Delicate Sound Of Thunder - The Complete 1987-1988 Tour

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CD - obviously the CD
LD - LaserDisc
OB - Orange Bowl, Miami SBD tape
MB - Melbourne SBD tape
PH - Philadelphia SBD tape
NC – Nassau Coliseum SBD tape
AO - Atlanta Omni SBD tape - In 1987 three nights at The Omni were recorded and filmed with the intent of making a live album, but due to technical difficulties and lackluster performances the recordings were shelved. Only a few recordings of these shows ever surfaced officially on B-sides and in videos. New shows were recorded at Nassau Coliseum early the following year which later became the Delicate Sound of Thunder album. Now for the first time several unreleased portions of the Omni shows are seeing the light of day as part of this expansion of the DSoT album.
RTN - David Gilmour's Remember That Night DVD (used for dialogue)
DS4 - Dark Side of the Moon quadrophonic mix (used for effects)
WYWH4 - Wish You Were Here quadrophonic mix (used for effects)
AUS - The Australian Pink Floyd Show - Live at Hammersmith DVD (used for effects)

Track list and source details:
01. Shine On You Crazy Diamond – Recorded at Nassau Coliseum, NYC August 20, 1988. 
Source: The intro is from LD because we liked the Jacob's ladder electrical arc sounds added to the mix, then cuts to CD just before the "Syd's theme" guitar notes. 

02. Signs Of Life - Recorded at Nassau Coliseum, NYC August 23, 1988 (keyboard half) and The Omni, Atlanta, GA November 3, 1987 (guitar half).
Source: The intro rowing sound effects are from OB, then the first half of the song is from LD, but on that version 38 seconds were cut from the second half. We used the AO recording for the second half of the song. Because this song is artificially overlapped with Learning to Fly on the video release the synth sound making up the long fade of this is spliced on from the end of the Momentary Lapse of Reason album. 

03. Learning to Fly - Recorded at Nassau Coliseum, NYC August 23, 1988. 
Source: All from CD. The dialogue after the song is from a couple of sources. Most of the dialogue is from the OB, and the "Hope you all enjoy yourselves" is from MB. 

04. Yet Another Movie/Round And Around - Recorded at Nassau Coliseum, NYC August 19, 1988.
Source: CD

05. A New Machine Part 1 - Recorded at the Orange Bowl, Miami, FLA November 1, 1987.

06. Terminal Frost – Recorded at the Orange Bowl, Miami, FLA November 1, 1987.

07. A New Machine Part 2 – Recorded at Tennis Center, Melbourne, Australia except the second line which is punched in from the Orange Bowl, Miami, FLA November 1, 1987.

08. Sorrow - Recorded at Nassau Coliseum, NYC August 23, 1988. 
Source: CD

09. Dogs of War - Recorded at Nassau Coliseum, NYC August 21, 1988. 
Source: CD. Dialogue from OB.

10. On the Turning Away – Recorded at Nassau Coliseum, NYC August 20, 1988. 
Source: The first half of the song is from CD. The guitar solo at the end is from LD except for eight bars that were edited out of the video, yet existed on the CD. With the exception of this part the solo is at its full length in the video, but edited shorter and differently on the CD. Of course we used the longest version. The intro dialogue is from OB. The dialogue after the song is taken from the Remember That Night DVD. Since Dave says the same thing at every show on every tour we weren’t too particular about the date as far as the dialogue goes. The minute of audience that divides the sets is taken from, of all places (.......OK, we're letting you all in on one of our regularly used tricks here.) the end credits of Iron Maiden's Live After Death video. It's over a minute and a half of continuous smooth audience noise that we like to use for a lot of things. This shows up discreetly in several places throughout this album.

11. One of These Days - Recorded at Nassau Coliseum, NYC August 21, 1988.
Source: CD. For most of this concert the audience sound has been enhanced and it is not mentioned in detail every time. In this song we mention it with explanation. Audience enhancement was used in this song at the start of the bass solo to account for the appearance of the pig and at the start of Dave's big lap steel solo because the light show went totally crazy in that spot at the shows.

12. Time - Recorded at Nassau Coliseum, NYC August 19, 1988.
Source: CD. Audience enhancement has been added at Rick's first solo vocal because he always got a big cheer when he sang the bridges in Time.

13. On the Run - Recorded at Nassau Coliseum, NYC August 19, 1988 and The Omni, Atlanta, GA November 3, 1987.
Source: Because the version of this released on the LD version is an edit with nearly two and a half minutes of the song missing we added a significant portion of this track from AO. The first 30 seconds or so are from the Nassau Coliseum show from the LD, then it fades to AO for about 2 1/2 minutes, and finally returns to LD for just over the last minute. Because the Omni and other SBD tapes lack the prerecorded sound effects they were dubbed in from the rear channels of the quadrophonic mix of Dark Side of the Moon. Although this is technically cheating, we find it acceptable because these sounds were on prerecorded tape at the shows anyway and would have been added in post-production by Pink Floyd when assembling the album.

14. The Great Gig in the Sky - Recorded at Nassau Coliseum, NYC August 23, 1988. Source: LD

15. Wish You Were Here - Recorded at Nassau Coliseum, NYC August 20, 1988. Source: CD

16. Welcome to the Machine – Recorded at Tennis Centre, Melbourne, Australia February 19, 1988.
Source: This song presented its own problems: the tape effects were not very audible on the recording we used (MB). This left the song sounding very empty because the throbbing bass synth note that drives the beat of the song was one of the missing sounds, as were all the "whoosh, swish" noises that make "Machine" so...well...machine like. We replaced the pulsing synth note from a few different sources. We sampled a couple of beats of it from one of the tracks on the multichannel mix in the 2011 Wish You Were Here box set and used it in a few spots, and thankfully The Austrailian Pink Floyd Show recently put out a live DVD where they performed the song. We took the 5.1 mix from AUS and removed certain parts of tracks (the center channel with the vocals and guitars were the first to go, and we took out the female backing vocals by editing around them) and after some clever editing and phase cancellation we were left with a backing track that contained all the synth sounds, plus the reverb from the vocals. We speed synced this to the PF version, thus replacing the missing sounds while adding little else (The only exception to this is the additional female backing vocals in the second verse that are more like the way Roger Waters performed the song on his solo tours. We couldn't cut them out of the second verse like we did the first because there was a hihat cymbal in the backing track in that verse, and to cut the vocals would have left dropouts in the percussion). The recorded intro of the song up until the guitar comes in is from NC. The door buzzer was enhanced by a sample taken from WYWH4. The tape effects at the end are from the WYWH stereo mix.

17. Us and Them - Recorded at Nassau Coliseum, NYC August 22, 1988. 
Source: CD

18. Money - Recorded at Nassau Coliseum, NYC August 23, 1988. 
Source: CD. 

19. Another Brick in the Wall Part 2 - Recorded at Nassau Coliseum, NYC August 19, 1988. 
Source: CD. The dialogue afterwards is from the OB.

20. Comfortably Numb - Recorded at Nassau Coliseum, NYC August 23, 1988. 
Source: CD. Dialogue after is from the OB. An encore break was created with additional audience noise.

21. One Slip - Recorded at Nassau Coliseum, NYC August 23, 1988. 
Source: LD

22. Run Like Hell - Recorded at Nassau Coliseum, NYC August 23, 1988. 
Source: The intro is assembled from three sources: The CD, the LD, and OB (we made it longer because we just love the sounds Dave makes with the delayed guitar at the start of the song). The body of the song is from CD, but the last couple of seconds of the music at the end are from LD in order to get the explosion. We beefed up this explosion with additional explosion sounds that had more low bass, and we also added a series of explosions to the end of the breakdown after the synth solo where the pyro towers blew off at the concerts. The dialogue at the end is from NC.
(A note on the explosions: In the DSoT video the sparkler cannons are on the stage at the back because the video was filmed at an indoor venue. The majority of the tour, however, was in outdoor stadiums in which the sparker cannons were on the top of the lighting scaffolding. This was far more impressive than what is shown in the video, particularly because the video is in slo-mo and edited more complexly than necessary. What }{eywood remembers from the 6 shows he saw on this tour was much different than the official release, and is deserving of being audible on an audio-only document)

23. Echoes – Recorded at Lester J. Pearson International Airport, Toronto, Ontario in early September, 1987, CNE Stadium, Toronto, Ontario on September 21, 1987, JFK Stadium, Philadelphia, PA on September 19, 1987 and Municipal Stadium Chicago, Ill on September 25, 1987.
Sources: PH, HR, BBC 71 & audience tapes from Toronto, Philadelphia and Chicago. Plus 4 2006 Gilmour shows.

BONUS TRACKS:
We have included the original edited versions of the songs we expanded as well as edited versions of some of the other tracks as they appear on the LD release and the edited guitar solo version of On the Turning Away as found on the CD.
24. Shine On You Crazy Diamond Part 1 – LD
25. Signs of Life (video edit) – LD
26. Learning to Fly (single edit) – LD (also released as a single)
27. On the Turning Away (album version) – CD
28. On the Run (video edit) – LD
29. Comfortably Numb (video edit) – LD
30. Shine On You Crazy Diamond Part IV (video edit) – LD

Pink Floyd 'Pinkie Milkie'

1. Arnold Layne This is the regular single version, in mono (it sounds exactly like the official "Early Singles" version). The stereo version can be found on "Relics". This track was recorded at Sound Techniques Studios, London, on 11-12 Jan 1967. The single was released on 11 Mar 1967. Sound quality: Sup!

2. Candy And A Currant Bun ("Candy And A Currant" on the tracklist) As above, this is the regular version, in mono, as it appears on the official "Pink Floyd Early Singles". This track was the B-side of the "Arnold Layne" single, and was recorded during the same sessions. Sound quality: Sup!

3. Flaming ("Flamming" on the tracklist) This is the alternate mix, as it appeared on the 3rd U.S. single, released on 5 Aug 1967, on Capitol's Tower label. This single was released on U.S. because this track didn't appear on the U.S. release of "The Piper At The Gates Of Dawn". The mix is not so different from the regular one, just a little bit rough, and with some background sounds mixed louder. It's mono. Quality, again, is the best you can find. There are no vinyl crackles, so I guess this must have been taken from the Westwood One CD sampler "A CD Full Of Secrets". Sound quality: Sup

4. Scream Thy Last Scream This one is wonderful! The famous unreleased single appears here with the best sound quality ever. There's absolutely no tape hiss, no distortion, no background noise! Sound quality is better than on "Magnesium Proverbs", "Sights And Sounds Of Syd Barrett's Pink Floyd", "Early Singles"... If you want the definitive STLS version, get this CD. It was recorded on 9 Aug 1967, and it was planned to be the third U.K. single (w/ "Vegetable Man" as the B-side), but it was cancelled, so the third single (the last with Barrett) was finally "Apples And Oranges"/"Paintbox", released on 18 Nov 1967. Sound quality: Sup!

5. Julia Dream Recorded on 25 June 1968 for BBC's "Top Gear", 201 Picadilly Studio 1 in London. Excellent quality, better than most of other "BBC sessions" RoIOs. The only RoIO I know with comparable sound quality is "Ultra Rare Trax Vol.1". Sound quality: Ex+

6. Point Me At The Sky The booklet says this was taken from the same "Top Gear" session, but this is exactly the same version as the mono version that appears on the official "Pink Floyd Early Singles". Perfect sound quality, although I prefer the "stereo" version on the Westwood One CD sampler "A CD Full Of Secrets". Sound quality: Sup!

7. Embryo Wrongly listed as from "Top Gear" 14 Jan 1970. It's in fact from the 2 Dec 1968 "Top Gear" session, Maida Vale Studio 4, London. Sound quality is OK, but not as good as for "Julia Dream". Sound quality: Ex-

8. Atom Heart Mother This is the performance for the "Peel Sunday Concert" broadcast, recorded on 16 July 1970, at the BBC Paris Theatre, London. The date on the booklet is wrong (16 Sept 1970). This is the whole song, 24 minutes long, with the orchestra. Sound is excellent, but in MONO! In all the X-references I know, this broadcast is in stereo! It's a pity they didn't find the stereo source for this CD. Sound quality: Sup-

9. Breathe The booklet says it's a demo version, dated 17 Feb 1970. It's WRONG. This is from one of the very first public performances of "The Dark Side Of The Moon". It was recorded in London, at the Rainbow Theatre, 17 Feb 1972. So the booklet at least had the right day and month! Excellent stereo (maybe soundboard). It sounds like a copy of version on the "Best Of Tour 1972" RoIO (Swinging Pig), with the very good NoNoise mastering. Sound quality: Ex+

10. On The Run Same as for "Breathe". Booklet is wrong about the date and the source. This is from 17 Feb 1972. This version of OtR is the "jam" version, very different from the version on the official DSotM (released more than one year later!). Sound quality: Ex+

11. Money This time, this is really a demo version. Roger Waters sings the lyrics, accompying himself on acoustic guitar. Very interesting, because it's very different from the final developpement of the song. There's no Gilmour, Wright or Mason here. It's obvious that this track was recorded months before the first public performances, since it's a very "minimal" version. I think the year could be 1971 (not 1972, as listed on the booklet). This is a mono recording. Sound quality: Ex+

12. Pigs On The Wing Pt.I-II This is the complete studio version of this song, as the Floyd recorded it, in 1977. Between the first and second part, there's an electric guitar solo by Snowy White (he was the second guitarist on the "In the Flesh" tour). Unfortunately, they decided to cut this song in two parts for the album "Animals", and the beautiful middle part with Snowy White disappeared! The full version can only be found on the very rare 8-track release of "Animals". So here it is, in stereo, with some tape hiss (but not too annoying). Sound quality: Sup-

13. Mother Taken from the film version of "The Wall". The song is very different from the album version. The sound is really superb, in stereo. I think they copied it directly from the LaserDisk. Sound quality: Sup!

14. Empty Spaces / What Shall We Do Now? Listed as "Outside The Wall" on the booklet! This follows "Mother" on the film. "What Shall We Do Now" wasn't on the album version, but was played during "The Wall" shows. Sound quality: Sup!

15. Wish You Were Here Public performance, recorded on 20 Oct 1994, Earls Court, London. The sound quality seems to be better than on the (even excellent) TV broadcast RoIOs. So this could have been copied directly from the official "P.U.L.S.E" video. Sound quality: Sup 

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Pink Floyd
'Pinkie Milkie' 

Soundboard Recordings
Encoded: 320 Kbps MP3

Line-up: Syd Barrett - Roger Waters - Nick Mason - David Gilmour - Rick Wright.

Track List: (Artwork Included)
01. Arnold Layne
02. Candy And A Currant Bun
03. Flaming
04. Scream Thy Last Scream
05. Julia Dream
06. Point Me At The Sky
07. Embryo
08. Atom Heart Mother
09. Breathe
10. On The Run
11. Money
12. Pigs On The Wing (I & II)
13. Mother
14. Empty Spaces / What Shall We Do Now

15. Wish You Were Here (Oct.20, 1994)

Roger Waters 'Rehearsal Performance'

Solo es un ensayo, pero la actuación en sí es excelente. Mucho mejor que la noche siguiente aqui no hay errores.

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Roger Waters
'Rehearsal Performance'
Potsdamer Platz, Berlin, Germany
Friday July 20th, 1990

Very Good Audience Recording
Encoded: 320 Kbps MP3

Track List:
Disc 1:
101  Memorial Fund
102  In The Flesh
103  The Thin Ice
104  Another Brick In The Wall Part 1
105  The Happiest Days Of Our Lives
106  Another Brick In The Wall Part 2
107  Mother
108  Goodbye Blue Sky
109  Empty Spaces
110  What Shall We Do Now
111  Young Lust
112  One Of My Turns
113  Don't Leave Me Now
114  Another Brick In The Wall Part 3
115  Goodbye Cruel World
Disc 2:
201  Hey You
202  Is There Anybody Out There
203  Nobody Home
204  Vera
205  Bring The Boys Back Home
206  Comfortably Numb
207  In The Flesh
208  Run Like Hell
209  Waiting For The Worms
210  Stop
211  The Trial
212  The Tide Is Turning